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By Drewsch
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I love Godzilla. The Great G and I go back to my salad days of playing with action figures, crafting stories between Godzilla, King Ghidorah, and whatever Batman toy was useful. Unfortunately, the recent American output for Big G has left me overwhelmingly. While Japan has been casting him out of the park with Shin godzilla and Godzilla minus oneThe American movies have been on a downward sloping of quality Godzilla: king of monsters (what we can see from it).
So in an effort to imbibe some American godzilla cinema that was not an animated emptiness Godzilla x kong: the new empireI looked around Youtube To see if any creators were doing something interesting with the Godzilla universe.
Thankfully, I found that.
Live with monsters
My search led me to the channel that lost utopia movies, an outlet that has been making several videos and animations based on Godzilla and other huge monsters. The video that crossed my path was Live with monsters And won me over at once.
Live with monsters was presented as if it was a legitimate documentary made in the 1960s. The concept is that Live with monsters Acts as a presentation and explanation for a new world where huge monsters run amok. The dedication to the passage is what did me hooked with this. Seeing a low budget video to not try something I hadn’t seen fully implemented before was exciting. Why did Godzilla’s official film or series not tried something so aesthetically accurate?
What I enjoyed too Live with monsters is that it can be released from any copyright concerns and removed monsters from many different films and property. It means that the lost Utopia movies gang can build their own unique monster with its own mythology.
That leads to Shelter 54.
Shelter 54
The next video of Lost Utopia movies I watched was the sequel to Live with monsters. Instead of another reef on the old-time documentary, Shelter 54 In the form of the government’s official video detailing a horrific incident that led to the creation of another monster.
This one takes the concept to some unexpected areas of freaky and offers another interesting interpretation on a classical monster. This kind of ingenuity you don’t see is nurtured in the American Godzilla trips. Shelter 54 proves that there is still a valid horror to dig from the number of these monsters.
Lost Utopia movies give out another godzilla video that acts as if it were a tourist ad for a monster safari. This kind of fresh approach I feel is missing from so much modern American godzilla output. If Hollywood was smart, they would capture the author/director/editor of Tarrell Christie and let them do some sort of fake length dock or series. Here are some of the most creative things for me to see from Godzilla’s story/universe in a while.
Here’s hoping for more lost Utopia movies and their godzilla output.
