Lee Pace has great hopes for fourth of ‘Foundation’

You haven’t seen the last episode, you have?

No.

I haven’t given anything now, I have?

No, no, you were tending in the directions that I thought you were installed. I am also more eager to see now. I have a question of acting: How do you do and your actors companies play the same person who is not the same person?

In the first season, they created this idea that they sit around the dinner and have been the same movements – which is a cultural thing between these three people. We had these technical ways of displaying their shared awareness, and act. We have only practiced. We arrived with this little dance we’ll do with those dinner table scenes. In the second season, we did something different with it. We have created this idea of ​​who I don’t follow the rules, who only do differently, be the other brothers likes or not.

Oh, interesting.

I love work with Terry (Mann, who are gonna play the Duspo’s brother) and Cassian (Bilton, who are playing sunrise) and Laura. It’s so unique concept that (writer and producer david) had to be these emperors in clona who are all living together in the family, and there is very different to look. I think it’s a fully original idea, and in line with the questions that Asimov asks Foundation and his other job.

I am completely agree that is a genuine original idea. There is always a new way to play Basic Blues but this is a really new idea that I can’t think of an antecedent for. Maybe there’s one.

It’s time too. It’s time. You can do this thing over time and generations, and that’s what I feel now we have done in the season three. Now we have covered 300 years, and we’ll see more.

Much as asimov has done.

Worked on this story about so many different decades, write the Foundation books, written collaborators and we will be ways to ways the stories and our story that he had written in other books and series, and you are converting this world of Foundation. I am

Yes, but I still imagine that the very source material can be excessive.

I really like what about this sample we haven’t treated series of the series as fiction, where we would be, Ok, now we’re doing the scene where this happens and now we’re doing the scene where this happens and this happens. I am But we leave the Tomanda of the story that isAAC Asimov left if I’m at the table that wrote, plans that happen after writing and understanding the story.

Right, stops true to the form of asimov ideas without being stirring them.

As a science phase, I feel so that could bring a good opportunity when you could bring the screen, to use and be inspired by all we’ve obtained in writing Foundation and then attack in all of these other different stories and distress that had created in whole. I mean, it’s just an incredibly prolific writer.