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Artist Lauren Bonn, shown on the Los -Angeles River. Bonn and its non-profit program of art and research studio, a metabolic studio, held more than ten years on the project called “The Crack River”. The initiative attracts water from the Los -Angeles River, cleanses it and uses it to irrigate the Los -Andgeles historic park.
All J. Shaben | Los -Angeles Times | Gets the image
Policy, Science and Law – not the only areas that can influence Climate change policies – When it comes to direct intervention, art should not be underestimated, the industry insiders say.
Art plays an “important” role in the formation of the environmental management, in accordance with the organization that controls the art program at the UN Ocean Conference (Unoc), which begins on June 9 in France.
According to Marcus Reiman, the co-director of contemporary art and propaganda fund TBA21 thyssen-boornemisza is modern, art and culture can “incite relations” with the environment and those who inhabit it.
In Unoc, TBA21 will observe about 20 activities, including exhibitions, seminars and panel discussions to increase awareness and interaction with the ocean around the themes of regenerative practice and sustainability. Initiatives “claim a vital role of culture and art in high -level political decisions,” the email said.
“Become an Ocean: Social Talk about the Ocean” is part of Unoc and presented by more than 20 artists, “studying the main problems facing the ocean”, according to Web -Sight Tba21.
“(Art) can educate and develop (the) assistance and agency we are now externally experts – scientists will take care of it, politicians will take care of it … and so we (feel we have nothing to do but consume and earn money to consume. And I think art can break this open,” said CNBC.
“The Spectrum of Time: The Spectrum” of the Mayan Petrick artist consists of light “sculptures” that show natural conditions. Petrick said she feels “perseverance” to preserve the memory of such landscapes.
Using the artist and hof
This is the topic that the artist Maya Peter addresses.
Its light installations, or “sculptures” aimed at causing what people feel when they feel intact, said CNBC by video call. Asked if her work could influence the climatic policy, she said in an e -mail: “As an artist, I do not talk in metrics and politics. But there is data: it is in every person delayed with the work, sometimes for minutes, sometimes for hours.”
In May, Petric received an innovative prize for its works “Samples of Time, Hoh Rain Forest, 2025”, as part of the digital art awards gallery “The Philips Auction House” gallery.
The sculpture appears in the form of a glass cube, glowing from the light that changes color based on the live temperature taken from the Hoh rain forest in Seattle, Washington. “The idea is that: what if … none of these landscapes exists in the future, but how will we think about them?” Work said about her work.
From the landscape
It is not only contemporary art that explores human influence on the natural world.
“Historically, perhaps the greatest contribution of the performers who have made in the context of environmental risk – to remind a broad society that it can be lost. From Turner’s landscapes and Constable Skyscapes to Richard Long’s walks in” Wilds “, artists remind us of natural worlds,” The sea, said in an email to CNBC.
According to Haifra Warsdale, the director of the Henry Moore Foundation reminds people of John Constlal’s natural world. “Cloud Study” drawn here for sale at the London Auction House Sotheby’s on June 22, 2022.
Michael Bouls | Gets the image
Warsdale also noted the project of German artist Joseph Bays “7000 Oaks”, for which the artist and his team planted 7,000 oak trees, one of which stands outside the Henry Moore Institute in Leids, England. “It grows steadily when the modern city is spinning around it. But as we know, the oak is slowly growing, and the world is changing faster,” Warsdeil said.
Art can be a way of facilitating the climate “easier to understand and act”, according to Lula Rapoport, a community coordinator in the climate coalition gallery.
“The biggest obstacle for meaningful policy is how abstract and huge climate change,” said Rapoport CNBC by email. “Art can overcome this gap, helping us to understand complex concepts and imagine alternative futures,” she said. Rappoport quotes Ice Watch London, the 2018 project that saw the artist Olafur Eliason brings 24 large icy blocks From the iceberg in Greenland to London, as an example, “how art can literally bring long concepts close to the house.”
For the artist Akhmet Ohut, the art has “power and agency”, which, he said, should not be expected to recognize them as politicians or scientists.
“Art does not need permit, it works in parallel systems, activating new ideas, forming temporary communities and offering resistance tools,” he said in an email CNBC. Couple pointed to the “flexion of the river” of the artist Lauren Bon Distracted the water from the Los -Angeles River To irrigate the public land as an artistic work that intervened “directly in the environmental infrastructure” and created a “form of civil repair”.
“Beuys’ acorns” is the installation of Art Duo Ackroyd & Harvey, consisting of 52 trees grown from acorns collected from German artist Joseph Bays “Art Works of 1982”, 7000 oaks. “Work is visible here in London Bloomberg Arcade in London.
Jeff Spicer | Gets the image
Ohuta’s work “saved by China’s tail (saved by art)”, which will be launched at the Stratford subway station in London on September 10, “inspired by an incident that took place near Rotterdam in 2020 when the train overcame the traces and was saved by the tail of the whale,” – said Transportation for the London site.
“Art can help us stop pretending that we are individual from the planet,” said Ohut. “The future is not in grand declarations, but in small, consistent solidarity. This is where the art begins.”
Couple also advocated that the artists were included in the climate change projects, and refers to Angel Borrest Cubera and Natalie Jeremienko to the city space station, which processes the construction of emissions and grows food indoors as an example “as an artistic approaches.”
“We need more cooperation if the artists are not brought simply to” aesthetize “or questions, but from the very beginning they participate as equal partners,” said Ohut.
