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“Jurassic World” franchise has raked in billions over the years, but with critical gains diminishing. When you make that kind of money, it is tempting to say that reviews and a general feeling do not matter. But as the series enters a new age, post-trilogy with release The back-to-out “Jurassic World Rebirth,” More questions arise. How long can the franchise continue according to the merits of its core concept only? And what exactly is the plan for the future as the story wandered even further from the rich narrative soil of Michael Crichton’s original novels?
“Rebirth,” for my money, does not answer those questions significantly. Although general critical responses have been mixed, it is clear that the film is not a home run, and the story section is where it does not have the most serious. The new characters introduced, for the most part, are poorly drawn figures with little depth or links to the more fictional world around them. The story also does not set up anything for future films, except for some general shifts in the ecological landscape of the neo-dino. It is unlikely that it seems as a starting point for a new trilogy, but if “rebirth” makes anywhere close to the amount of money its predecessors have, more films, despite the narrative soil above, will certainly be so aggressive farming that there is very little nutritional value left.
My proposal is simple: a coated crop in the form of a large budget “Jurassic World” streaming series. The franchise has already found serial success with the animated shows “Camp Cretaceous” and “Chaos Theory” on Netflix, and NBCuniversal has an ideal home for a live action series on Peacock.
The beginning of “Jurassic World Rebirth” shows a world that, as far as we say, has lost interest in the prehistoric creatures that share the earth with humanity. The film explains that the dinos can only thrive in a thin strip near the equator due to the planet’s climate. We also see that even museums and academic interest struggle with, u, Dino fatigue?
To be perfectly honest, it doesn’t make much sense. They are dinosaurs, for shouting loudly! Surely there would still be little popular and scientific interest. But the film is forced to deal with the setup from the previous trilogy – one where birds of prey were trained for paramilitary use and dinos exploring the Savannah alongside modern animals. It is understandable that the studio wants to shrink the focus again and return to the tone of “Island Sheltered” the earlier “Jurassic Park” moviesBut at the same time, this sudden movement of the most interesting story lines of the final trilogy feels like it is breaking future paths that could be taken.
An active series could recharge those gaps. With no park, no bad biotechnology company, and no legacy characters clinging around to carry things forward, “rebirth” feels lost at sea. You could write any number of different shows-an old island-focused island convenience, a kind of Dino Hunter situation, or even a jump back in the timeline to an earlier, more full-of-actions. Obviously, impacts budgeting would be a problem, but other franchise fastening shows have dealt with that before.
It’s no secret that the streaming series tied up in a big budget franchise, a genre-drum that has been so popular over the last five years, more or less, are guaranteed hits exactly. High production costs and volatile streaming nature as a business model make them high risk, but they can also refresh and promote bandoms and channel excitement towards future projects.
“Jurassic World” does not feel like watching appointments on the big screen right now, but changing scenes could bring in new fans and get the excitement to roll again. Instead of the huge shows of the universe “Star Wars” or “Game of Thrones”, I’m going to choose two examples that might be more appropriate for “Jurassic World”-Godzilla derived “Monarch: Legacy of Monsters,” and the “Alien: Earth.” Both are linked to larger horror film/monster franchises. While we do not yet know what the response to “alien” will be, The trailer pictures show an ambitious production design That shares time between sci-fi laboratories, ships’ interior, and hostile jungle. That same combination could work for “Jurassic World.”
On the “Monarch” side, you have a franchise that has always had difficulty creating a compelling human drama alongside the monsters – something “JW” has also had big problems with it. A longer show timeline allowed for fuller developed characters for the monster, as well as a ton of building a rich world for future films to engage. The same formula that general might embrace, and depend on How “Restimeters” eventually performsIt could be a necessary swing to take to keep the franchise at the forefront of people’s minds.
“Jurassic World Rebirth” is in theaters now.