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By Robert Scucci
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They say that a compact is the soul of wit, and Two horror stories sentences A mess with this feeling by transforming microfiction into a bite -sized anthology series with mixed results. If you are unfamiliar with the concept, you can find a more literal version of this type of microfiction on the Subreddit R/TwoundenceHorror for some great examples of the genre made right, as well as very funny ones from some of its more unobstructed users.
Using a similar framework for each chapter in the series, Two horror stories sentences plays out as a teenag scream version of Black mirror In the sense that each self-contained chapter explores various horror subgenres and sci-fi, pressing into how technology and the supernatural can have profound effects on human interaction that live within the fabries being established.
Like a jaded horror fan, Two horror stories sentences overwhelming. But it’s a great gateway series for a younger audience that doesn’t necessarily want to commit to the whole run, as each episode is a one-and-making experience where their miles can vary.
For Two horror stories sentences It was inspired by microfictions reported on Reddit, each chapter is original work using the format that was already popularized on -lein. Each chapter in the series begins with an opening sentence on screen, and on its collection reveals the second sentence that brings everything around a full circle.
For example, the “Teatime” episode features a guard guard being tormented by a bad little girl who turns her subjects into a chilling doll starting with the sentence, “O all my toys, I love this doll the best…,” ending with, “only a little when I hurt her.”
What happens between these two sentences is a full chapter that plays with the default, providing a 20 -minute horror story to the viewer who complements the two sentences in Two horror stories sentences.
The problem with Two horror stories sentences Is that in this case, Brevity is really the soul of wit.
Microfiction works well as a subgenre because it leaves everything to the viewer’s imagination, which is more often than not more frightening than what plays out on the screen in an attempt to decorate what does not need to be decorated in most cases. “Teeth,” season 3 for example, focuses on wolves and vampires. The shocking revelation after Cara believes that her boyfriend is another global is … her boyfriend is another global, leaving little to the imagination because it is all specifically stated for you.
That is, did we really need 20 minutes of construction to tell us what we already know? Microfiction decoration undermines what makes the genre so appealing in the first place completely, and makes you wonder why chapters like this even exist.
However some absolute bangers are found throughout Two horror stories sentences’ Running three seasons that will make you want to poke through the catalog because while its narrative framework leaves a lot to wish, some of the stories are really troubled and worth your time. If I had to recommend one episode to drive this point home, “Crush,” Season 3 tells an annoying story about Senile Twin Sisters who live in Squalor who hate each other, but only until they find a common enemy trying to disturb their lives for its own benefit.
By Two horror stories sentences Perhaps not for everyone, it’s a great, low -end presentation for younger audiences who want a buffet exploration of various subgenres in one place. As I said earlier, think about this Horror anthology Series as a downward watered version of Black mirror Aimed at children who want to scare, but do not want to be traumatized by the content they eat.
From this writing you can stream Two horror stories sentences on Netflix.