The writer behind Clint Eastwood’s film thought the final product was irritable

“Dirty Harry” ended in 1971 in the midst. Cop Maverick Clint Eastwood, Harry Callahan, played by his own rules that at the same time electrified and horrified audiences at the time. Director Don Siegel, depending on your point of view, created a celebration of police overlap, innocent action fantasy, or a serious warning against the dangers of breaking the rules for your own predictions.

In the film, Callahan traces and captures the Scorpio Killer (Andrew Robinson), a serial murderer with his own prediction for shooting innocent people from roofs. Eastwood’s free canon is not exactly a sticker for the rules, and has no qualifications about the bending of the law in order to get his man, thereby retaining the argument that followed the relief of the film. But Siegel also made an effort to draw a parallel between the barbaric of the serial murderer and Harry’s own acquisition for violence. Eventually, “Dirty Harry” overcame accusations of being Fascist propaganda to be known as one of the best 1970s films. The sequences, however, are a different story.

As Hollywood does not do so, “Dirty Harry” was very quickly given the franchise treatment and Eastwood faced four other films in the saga. Aside 1976, aside, these subsequent steps were not all that great, and “The Dead Pool” in 1988 said goodbye to Harry Callahan, which is to say nothing of the “dirty Harry” videogame who raised the hopes of everyone before ever happening. If you ask the co-writer of the first sequel, “Magnum Force,” 1973, however, you’ll hear about how this movie is the point that everything went wrong.

In “Magnum Force” Harry Callahan Clint returned Eastwood. For this second trip, Don Siegel’s “Dirty Harry” Director was replaced by Ted Post (“under the Epaod planet,” “Go tell the Spartans”) and Harry’s impulse was greatly shaded by the full diabolical actions of the film’s complete antagonists of accusing the re -cute and michwm michwm for the cruelty of the police. In fact, Milius was not that big fan of the film’s more shocking and violent attitudes, which he had not clearly come from or his script and Cimino.

The film was seen San Francisco blamed by a group of vigilante copies that are even more unharmed than Harry himself, violently executing criminals who have managed to avoid a legitimate punishment. It is clear that Harry cannot allow such violence to go on unchecked and begins to investigate the group on a hunt that his former partner, Charlie McCoy (Mitchell Ryan) is involved.

Obviously, Milius was not a fan of how Post shot that story. In an article from the 1976 issue of A movie howThe writer spoke to Richard Thompson and revealed that “Magnum Force” was his favorite project. “Of all the movies I had anything to do with, I like it least,” he said. “They changed a lot of things in a cheap and unwelcome way.” There is no doubt that the criminality in “Magnum Force” was much more shocking and violent than it had been “Dirty Harry,” but the fact was also, according to Milius, that large parts of the script were completely changed for the last film.

In his film comments interview, John Milius revealed that large parts of “Magnum Force” did not reflect the script he and Michael Cimino wrote. From a specific issue for the writer was the end of the film, where Harry Callahan steals a motorcycle and leads officer John Davis (David Soul) in an extended pursuit through a shipping yard before Davis drove into San Francisco Bay and disappears. According to Milius, this was completely different from what he was crafted for the highlight of the film. “The whole finale is wrong,” he said. “It wasn’t mine at all. Every film had a motorcycle or a car route at the time – except Westerns.”

But Milius also disagreed with changes to the film that made the violence clearer. “They have a scene where this black girl’s pimp forcing down her neck.” He remembered. “In the script, just entering the morgue and Harry said, ‘I don’t feel bad for that son of ab *** h,’ for two weeks ago one of his daughters was in here and he had poured down her throat. ‘I think it was better to hear about it than to see him later. to him) provides a better understanding of Callahan’s point of view. “He goes back to the character again,” he added. “You understand Harry’s feelings about him.”

That’s not all that Milius rubbed the wrong way. A scene where Callahan sleeps with a woman also seemed to be the writer, who told Richard Thompson, “Harry’s ‘dirty’ scripts never knew any women too well other than hookers, because he was a lonely man who lived alone and didn’t like to contact people.

Not only did “Magnum Force” wander from the script of Milius and Michael Cimino, he wandered from what Milius believed he represented Harry himself. It is true that “Magnum Force” is not the best of the saga and is a very different film to the first. But it is also not without charm. The supermarket battle is one of Most dirty Harry’s moments in the franchiseThere is a lot more focus on the work of the police, and it was always great to see Clint Eastwood is one of his best roles. He was also not as controversial as the original, although Milius appeared to have taken the argument if he meant that the film was drawing closer to his vision.