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Spoilers follow.
The “Final Destination” franchise has been dormant for 14 years, waiting for the perfect moment to be afraid of a completely new generation. I must admit that I had my doubts about “blood lines” just because “Final Destination 5” is the best record and the thematic Lynchpin of the entire series. Most horror franchises would kill for this tight ending, so the idea of ​​resurrecting it for another got around was worried. Make sure, however, that “blood lines” are a more than worthy successor who takes the series in an exciting new direction, while continuing to offer a buffet of horrific Goryl deaths that are best with a crowd. /BJ Colangelo wrote a film in her review that the sixth entry is best franchise And I’m on the same page very much.
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“Bloodlines” begins its carnal carnal with a tremendous opening premonition sequence placed in the ’60s at the top of Skyview restaurant. As someone with a fatal fear of height, my palms were sweating watching Iris (Bassinger Brake) taking the lift up the monument nearly 500 feet tall knowing that it will only get worse – and it certainly does. It’s like Irwin Allen’s disaster film crossed with Gags Splatter “Looney Tunes”. Directors Zach Lipovsky and Adam Stein did outstanding work tapping into the gallows of the gallows in anticipation of these complex Rube Goldberg deaths, while continuing to keep an existing element of fear. You can say that this is done by people who have a connection for a “final destination.”
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One of the larger additions is to be welcomed Lipovsky and Stein who brought the franchise an interesting new angle of the marks on Death’s popular list. With Iris preventing the tragedy of Skyview, whole generations were saved from their crimson demise, though temporarily. Death does not seem to appreciate the heads up and has been taking her time eliminating the family dynasty of all survivors that day. Iris stranger granddaughter Stefanie (Kaitlyn Santa Juana) has been proving the introduction regularly, which leads her to learn the truth that her family is up on the cutting block.
It is one thing to get your horror film victims to be a bunch of people brought together by circumstance, but it is another thing for the unfortunate ensemble to be a family. Each death is effective in its own way. I had a prestigious old time watching them biting it, but “bloodlines” does an excellent job in making you feel bad for laughing. Figures that the best death sequence in the film is one that includes a painful date with an MRI machine.
Blood lines equip an MRI machine into a painful perforated death portal
The most nervous aspect of living in a “final destination” movie is how Anything and everything in your direct surroundings will be used to kill you. An MRI machine is quietly turned on by accident and you are waiting to see how it is going to remind someone. You never know whether MRI will claim death itself or lead to a completely out -of -left threat. The bright omen sits there binds his time and ridiculed the audience, not different from Erik (Richard Harmon), MVP “Bloodlines.”
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Harmon has the best role in the film because, despite Juana playing the main character, he is the focus of the attention for a good piece of it. Erik is initially located as the same family member you can predict to be a grink, but the film efforts us. It’s a bit of a snark and tempting the way of death too comfortably, but eventually a great older brother for Bobby (Owen Patrick Joyner). The teaser trailer for “bloodlines” seems to have teased his death in the tattoo parlor, Where its septum piercing is trapped in a chain attached to a rotating ceiling fan. We see him fall into a pool of flames brewing under his feet and think that wrapped pictures.
In a funny inversion, Erik appears before Stefanie and her little brother Charlie (Teo Briones) completely unharmed because of his leather jacket shading him from the flames. It is as if that whole sequence is a minor nuisance. Another trailer even teasing Erik was flattened by a junk truck shortly afterwards. Instead, the honor goes to his sister Julia (Anna Lore) who, through a series of circumstances, is being face crushed in the back of one instead. The fact that Erik also witnessed Howard (Alex Zahara) gets a mowing machine to the surface, and then the revelation that even his real father is not, almost felt like a fate worse than death. Quietly, his incoming death will be much, much worse.
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Through a growing series of events, the MRI is pushed to the research power mode (the ridiculous speed of the “Final Destination” universe), which gives it the ability to metal objects from across the room. Erik finally loses the septum piercing, but has more issues to worry about. Someone seems to have forgotten to pull their nipple piercing, sucking it to the beast’s belly. Then I remember sitting on in my seat when I realized that the Super Magnet Mri is about to tear his Prince Albert violently. All you can do is laugh and Wince is equal to a wheelchair conditioning to the ultimate body piercing.
A tight wound killing that flies one last surprise
We’ve seen Mri appear in horror movies like “Insidious: The Red Door” and “Saw x,” but none of them are used as killers. “Bloodlines,” however, goes on and transforms the common medical equipment into magnetic hell vortex that literally gives one of the series’ most long and painful deaths to Erik. You would think his inevitable demise would not live up to all the fictions, but eventually he pays perfect, and one who had my audience exploding with groans, screams, and laughter. I want to have more piercing, but This movie certainly makes a strong debate to stop while I’m on the front.
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Death went very clever with this one given that he played the long game with these two. When the remaining survivors arrive at the hospital, Bobby slate as the next to go. It’s very funny that no one wants to be around for pure safety. But family is a family and they take it with them on their adventure to see JB, who is Later as William Bludworth of Tony Todd was revealed in a moving dispatch. The family learns that you can deceive death by taking someone else’s life or temporarily dead. Erik and Bobby instantly flirt with a new -borned killer in one of the film’s best jokes, but eventually they ultimately fake a different path. Erik suggests activating Bobby’s almost fatal peanut allergies, letting him die, and then performing Hail Mary’s revival with his epipen.
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You feel so bad for Bobby because it’s like a scared puppy. It is almost crushed by a vending machine that will not let the peanut butter cups, which cause crack in the glass and a loose spring to keep out. The Mri event is a hoot, but does not lose sight of suffering at the same time Bobby. It is scary watching him choking and puffing so slowly with his medicinal salvation feeling like a million miles away. Bobby reaches the epipen out of his dead brother’s hand feeling like a minor victory, but then you remember what kind of movie you walked into when a nurse opens the door to the Messrs.
It is ironic that a check of a medical professional leads to death, as the magnetic removal of the MRI causes the spring of the vending machine to cut loose and drill into Bobby’s head like a sentinel sphere of “phantasm.” Both for one hospital carnage are a major improvement on the Clear Double Tap (larter)/Eugene (Terrence ‘TC’ Carson) of “Final Destination 2,” and one of the series’ best death sequences in total.
“Final Destination Bloodlines” now plays in theaters across the country.
