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By Drewsch
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The prestige Seems ready to be a remarkable record is a continuously growing filmography for Christopher Nolan. After release Batman startsNolan had the opportunity to do a passion project and designed an adaptation of the 1995 novel Christopher Priest for two competitive congesters.
While the film performed excellently about a period drama – a $ 53 million domestic box office on a $ 40 million dollar budget, with an additional $ 56 million in international revenue – it did not light the pop culture on fire. And with Nolan’s following movie existing The dark knight. The prestige Eventually it is sanded between two Batman films, ensuring that it would be lost in the coming years as Nolan’s work body continues to grow.
And though I’ve called before Initial Nolan masterpieceIt’s time to get a little more personal and start some argument: The prestige is Nolan’s best film and the one I love watching the most. Let’s explore why.
For Christopher Nolan can successfully regenerate the Batman franchise, The prestige It was allowed to be a much more expensive production than it is likely to have been in different circumstances. Nolan takes advantage of his post-Batman effect in every way, making what might have been a smaller relationship and turning it into a polished and extravagant production.
Nolan shot The prestige with a strong focus on the clarity of the intention. One of the issues he taught Batman starts How to convey key moments of action was better. While this film is not active in the way we expect it from a popular cinema, Nolan realizes how telling a stage magic story requires his camera and meant to be as precise as the best sleight-of-hand tricks.
In considering that approach, The prestige Displays Nolan at a critical point in his filmmaking evolution. His early films often rely on motion and editing of frenetic cameras to gain a sense of danger or excitement. When it reaches this film, there is an alleged, organized nature that begins to shape in very exciting ways. And he would prove to be an asset as they proceed with his second Batman film.
As a piece of making distinguished films (heh), The prestige He does not get the acolates he deserves compared to other period plays. The dress design and location shoot are all lovely. Every physical element of the film is a delight to look at, and it is a shame that the technical aspects of the film are not exposed more often.
But not just texture The prestige That makes it such a great experience.
The prestige boasts an impressive ensemble of actors. This does not become a shock to people who are familiar with Nolan’s work, but it is interesting that there are actors in this film that they have not worked with Nolan on another project. Because Christopher Nolan is known for working with some actors many times, some of the once and for all performances are not brought up much.
Those most criminally neglected are Hugh Jackman Like Robert Angier, the man whose wife was accidentally killed by the assistant of another Congregator, Alfred Borden (Christian Bale). This is one of Hugh Jackman’s biggest roles and is never mentioned. That is likely because the leading role of Angier is not a particularly likeable one. Angier is a hellish man on the burial of Borden’s career, and the lengths he is eventually going to eat his soul. He is a tragic but compelling character and Jackman brings him to life in every frame. That is certainly true with the majority of the cast in The prestige In addition, but Jackman deserves to be distracted for anchoring the film with a character that is quite terrible by the end of it all.
On the contrary, you have a ballet Christian like Alfred Borden. His story is a little more winding but nevertheless interesting and charming. Borden as a character is more committed to the technical ability of his stage magic rather than the pizazz of it. Because of this, Bale has to play things a little closer to the chest than Jackman. It means it must be considered more reserved but is a bespoke decision that finally pays off. The prestige Offers Bale the opportunity to do what he does best and not disappoint.
Alongside these two leads is a strong supporting cast that fills The prestige. Michael Caine, who has worked with Nolan on all of his features since Batman startsplays a similar role to Alfred in the Batman movies with Angier’s assistant Cutter. Rebecca Hall is a master of naturalistic performance and brings a real pathos to Borden’s wife, Sarah. Scarlett Johansson feels some misleading like Olivia, the helper that finishes betraying Angier and falls in love with Borden. It’s not bad but it doesn’t match the period like the rest of the cast. And, Andy Serkis Fun if used as little as possible as Ali, Nikola Tesla’s assistant.
Ahh, Nikola Tesla Played by David Freakin ‘Bowie. There are moments in film history where actor and role come together in a way that feels like the most obvious thing in the world. David Bowie as Nikola Tesla in The prestige In one of those serendipical moments.
Bowie is amazing like Tesla. He has built as this mysterious and power man. His eventual presentation after he walked through an electric field as if he were God. Simply put, Angier and Borden are concurers, but Tesla is a legitimate witchcraft, tying the earth’s magicks to create wonders stunningly and frighteningly. Bowie’s performance of Tesla is neither prestigious nor cartoony. He plays Tesla as a defeated genius, hello himself away from a world that has disappointed his efforts to make him a better place. While its use in the film ends supernatural and takes the story into a chilling science fiction arena, Bowie never collapses in his performance and Tesla remains a fascinating character that never transfigures to an unrivaled level.
So we’ve looked at the technical ability and amazing cast The prestigeBut why is this my favorite of Nolan Filmography?
The prestige is the same movie from Nolan’s that I find myself returning over and over again for many reasons. One of those is that she is a film that rewards re -watching immediately. For The prestige Coming up on fifteen years in the land culture landscape, I still don’t want to ruin the big revelation that makes the film deserve to watch it immediately. There are thematic clues throughout the film that adds an extra layer of smartness to the entire effort. In this way, The prestige Feels like an evolution of the storytelling and making nolan films presented Mement.
Even more obvious is emotional strength The prestige. From The dark knight On, Nolan has nurtured a specific cold to his stories that he has not always worked. That does not mean that his stories are bad or devoid of emotional pressure, but Nolan seems to be more involved in the way his films are told rather than why.
And that led me to a new snap The prestige: Angier and Borden represent two sides of Nolan as a filmmaker. One is driven by passion for the scene of the whole and the other is driven by the detailed nature of his craft. In the end, Borden kills Angier and now feels like a retrospective statement on Nolan’s own path as an artist. Left after the wide display man, bells-and-white that brought the world’s flashy price as Mement and Batman starts and committed to their illusions with a borden -like focus. Instead of relying on a lot of modern technology fraud like Angier, Nolan rejected a desire to do things real in his films whenever he can. It is an artistic tactic that Borden himself would approve of.
Whether you take this is not interesting or not the point is not really. The point is that I find a new way of appreciating and enjoying The prestige Every time I watch it. It draws me in and puts me under his spelling in a way that none of Nolan’s other movies ever do. And as a statement about the magic of his own art, the last words of Angier never stops me hard:
“You never understood why we did this. The audience knows the truth. The world is simple, boring, firm all the way through. But if you can deceive them, even for a moment, then you can make them wonder. And you get to see something very special.
The prestige Continues to put that look on my face every time I see it. Initial It may be the nolan film that best represents her as a filmmaker, but The prestige is the one I know I will watch over and over again for the rest of my years. Because The prestige Magic is real. You have to be looking for it.