Donatella Versace opens Milan’s emotional show with ‘My Name is … Versace’

Donatella Versace opens Milan's emotional show with my name is Versace what he told us in 566

Donatella Versace. Estrop/Getty images

When Donatella Versace She presented her Fall 2025 collection in the Bagging Deposit A tram station in Milan on Friday, February 28, was her name all over the clothes, which read as a love letter to the Italian fashion house.

Fit, remix of EminThe first appearance of 1999, a single who won Grammy “My Name is” blames the speakers at the top of the show, with words remixed for the chorus to “My Name is… versace.”

As the real donatella says Weekly US Only: “This was a really emotional collection for me. It was all of the best of Versace. Our codes, our power, our DNA! It was a collection for Versace fans worldwide. Daring, fierce, unapological. “

Sitting in the front row were heavy face names, including Oppenheimer’s actor (and first ever male versace icon) Cillian Murphy, Supermodel Versace Taylor hill and a -rean -wide brand ambassador HyunjinThe lead vocalist of the band K-Pop Stray Kids, who Donatella calls “Versace Prince.”

25 seconds Versace made the story of Jennifer Lopez Red Carpet Dua Lipa


Related: 20 Versace Looks that made the history of red carpet: From J.Lo to Dua Lipa

No other designer behind so many viral awards season looks like Donatella Versace. The muse who turned into a matriarch who became the leader of the Versace dynasty could not have predicted all the looks that led to the earliest social media feelings of the luxury label, from the Jungle Jungle Green Dress Jennifer Lopez who almost broke the Internet to Angelina Jole (…)

Sitting under an individual Versace blankets Instead of name cards, they wrapped themselves in Versace.

The video teaser showed a platinum-blond fashion show dragging a gold fork along a Versace tablecloth, whirling her finger well around the edge of a versace tecup and finally crashing face down in black and gold canvases inspired by Versace Baroque.

The collection transformed Versace’s home furniture into quilted puffers, the Bustiers and Ballgowns. Point case: The first model flowed on the runway in a Skintight leather dress, peeking under the coat of luxury college print printing bag with leopard accents. A rendered dress and gown followed in the same luxurious and patterned wild finish.

Donatella Versace opens Milan's emotional show with my name is Versace what he told us 569
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Other standouts included a sudden tailored sweater and lbd skimmed curve with a neck that plummeted down to the navel-who remembers immediately Jennifer LopezJ.Lo and Versace a jungle print jungle print made J.Lo and Versace in the name of a home.

Donatella Versace opens Milan's emotional show with my name is Versace what he told us
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For her part, Donatella made his last bow in the 1992 Archival Versace Black Jacket by her late brother and designer Gianni Versace ‘S Miss S&M Collection, which Christy Turlington Wore on the runway at the time.

She wiped up and made a twirl 360 to show her gracious gratitude for the standing look – best to show the bright gold buckles from every angle. “I wear a diamond and gold cross circle given to me by Prince For luck and a jacket designed by my brother Gianni, so I have near to me, ”he told Us.

The Prince gave the ring to the designer before his death in 2016.

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There was also another homage to the late artist, as seen on a male model in a sleeve top made of the Gianni Metallic Mesh-Metal fabric first developed in 1982.

The singer “Purple Rain” modeled an almost identical version in 1995 when he starred in a Versace campaign photographed by the legendary fashion photographer Richard Avedon. The tribute was a key point in the brand’s history. As Donatella said in 2018 Fashionable Interview: “The Prince did not influence my work alone; Epitomized what Versace stands for. “

Donatella Versace opens Milan's emotional show with my name is Versace what he told us 567
Alena Zakirova/Getty Images

When he stepped off the runway in his high trademark leather platform shoes, it was surrounded by a trio of models that closed the show in velvet minidresses with dramatic sculptural hems lined with silk with visible ultra-pigmented baroque style prints. The ballerina silhouettes bearing a scene were made to echo Gianni stage costumes from the 1980s.

“I’m really proud of this collection,” Versace says Us. “My team worked so hard to do something very special and memorable.” The designer continued: “For me, this is a creativity at its best. Free and not filtered. “



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